Tag: cinema

On-Screen Inspiration . . . in “Lord of the Rings”

In the second film of the Lord of the Rings trilogy, “The Two Towers,” after Frodo and Samwise Gamgee had been taken prisoner, sent to the ruined city of Osgiliath, then narrowly escaped being captured by Sauron’s minions, Frodo begins to lose hope. He is ready to give up, thinking he can never finish the quest of destroying the One Ring in Mordor.

Sam encourages his dear friend in this scene from the movie . . .

Frodo: I can’t do this Sam.

Sam: I know. It’s all wrong. By rights we shouldn’t even be here. But we are. It’s like in the great stories, Mr. Frodo. The ones that really mattered. Full of darkness and danger, they were. And sometimes you didn’t want to know the end. Because how could the end be happy? How could the world go back to the way it was when so much bad had happened? But in the end, it’s only a passing thing, this shadow. Even darkness must pass. A new day will come. And when the sun shines, it will shine out the clearer. Those were the stories that stayed with you, that meant something, even if you were too small to understand why. But I think, Mr. Frodo, I do understand. I know now. Folk in those stories had lots of chances of turning back, only they didn’t. They kept going. Because they were holding onto something.

Frodo: What are we holding onto Sam?

Sam: That there’s some good in this world, Mr. Frodo . . . and it’s worth fighting for.

In the book of 1 Samuel, David is on the run, overcome with fear, knowing that King Saul is out to kill him. Jonathan goes to speak words of encouragement to his friend . . . .

“David saw that Saul had come out to seek his life. David was in the wilderness of Ziph at Horesh. And Jonathan, Saul’s son, rose and went to David at Horesh, and encouraged him in God. And he said to him, ‘Do not fear, for the hand of Saul my father shall not find you. You shall be king over Israel, and I shall be next to you.’” (1 Sam. 23:15-17)

It’s the true friend who encourages us in the midst of the most difficult part of life’s journey.

Therefore encourage one another with these words.” (1 Thessalonians 4:18)

What’s your most inspiring film scene? Why? Let us know at: feedback@mastermediaintl.org.

 

The Best Story Wins

Exec. Prod. Ralph Winter (left) on the set of “The Promise”

by Ralph Winter, Producer (X-Men, Captive, The Promise)

Storytelling—it’s all around us. It’s in a courtroom, it’s in politics, it’s in our business, it’s in religion. It’s history. It’s what we’ve done around the campfires in teaching younger generations about life through stories. It’s cultural. It’s what we do at dinner when we have friends come over. It’s in movies and TV and social media. It’s in Instagram. The power and persuasiveness is front and center—and the best story wins.

Sometimes the kind of things we do are not even on the faith community radar—but Mastermedia is there to support and understand what’s going on. I spend about 8-9 months a year on the road away from my family, and it’s people who pray for me and support me who keep me going. People like Buster Holmes and other friends, like my wife and my church community . . . people who hold me up while I’m doing this at a great distance, trying to make movies that have significance.

That’s one of the reasons to encourage and care for the filmmakers among us who are really “prophets” of the culture. In his book, Culture Care, my friend Makoto Fujimura says that believers who work in media walk in two different cultures—the secular and the faith community. They need encouragement, prayer, and people who understand what they’re going through as they prophetically try to show what the future is about.

In some ways, these filmmakers are like missionaries. They’re learning a new language and a new culture, and their values are different as they walk the border between two cultures. Let’s encourage our filmmakers as they’re doing that and being the prophets for this generation.

“A Conversation” Appearing at a Theatre Near You

by Dan Rupple

Imagine my surprise when, after offering my three grandchildren the option of watching Star Wars during a cousin sleepover at our house, they passed on “The Force” and suggested instead, “Let’s have a conversation!” When I asked, “What’s a conversation?” our 6-year-old replied, “It’s when a lot of people get together and talk and talk and talk and talk about a lot of random things.”

Over the past decade, we’ve all witnessed the explosion of interactive communication triggered by the pervasive onslaught of digital media. And seemingly overnight, the most overheard word in the English language—especially among media professionals—became conversation.

Conferences that used to feature a lecture, talk, or teaching are now forums or symposiums inviting us to “join a larger conversation” taking place—one that allows our #hashtag voices to shape the narrative.

But is this phenomenon, in fact, new?

In Acts 17, we see that when the Apostle Paul entered into Athens, he immediately sought out the center of the cultural conversation. Where was it taking place? He found his answer in the Athenian “Starbucks” of yesteryear . . . the marketplace. And who was leading that conversation? The non-theistic philosophers who were shaping and guiding the public discourse toward the ideological “soup of the day.”

In today’s post-modern world, who is leading the Athenian center of conversations and where do we find them? In Plato’s time he observed it was “the storytellers that rule society.” Today, a fair cinematic spin would be that “the moviemakers rule society.” How often is the movie you saw at the local theater on Saturday night the topic of conversation in the office coffee room on Monday?

The stories shown on our screens inspire us, thrill us, scare us, amuse us, spark our imaginations, and fuel our conversations. We connect with movies and share them to connect with others. Different films spark unique kinds of dialogue. And independent films (like those shown at the Sundance Film Festival) provoke quite a different conversation than the films you might see at your local cineplex. Many independent films are putting a spotlight on a sober, more complex side of humanity. Frequently challenging, enlightening, illuminating, and occasionally breaking our hearts over injustice . . . all fodder for deeper, more introspective discussion.

But that isn’t to say that big-budget Hollywood fare—in all of its exciting, lighthearted escapism—doesn’t generate meaningful conversation long after the credits roll. Star Wars, for example, is chock-full of after-viewing allegorical topics, such as good vs. evil, the loss of a father, and a power outside of ourselves.

Movies, and the conversations they ignite, matter! The stories we watch can often provide divine on-ramps to a dialogue about the truth and grace of the gospel—relatable, understandable truths so crucial to our culture. Just as Paul entered the marketplace to tell the Athenians about the “unknown God,” we need to see the world as groping for a truth to live by, yet unknown to them, until someone is bold enough to enter into a cordial discourse about a God who knows and loves them.

This is the heart of the mission of Mastermedia: to intentionally and prayerfully build relationships, one conversation at a time, with the influential media makers, filmmakers, and artists of our day. And to appropriately infuse these discussions with the  life-changing truth about the greatest story ever told—the love of Jesus!